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I think that doing so would be an interesting way to work with the Tetrad as well, which is concerned with how the past, present, and future, interact.

Topic: Criticism and interpretation

I am left wondering, as I have been wondering all semester, how we can actually interpret media artifacts in an Ernst-like manner: with a cold, objective eye; or how can we analyze like McLuhan, without attention to the message itself. And also, as an extension to that, what is the point of such a means of interpretation?

Electric Time – Marshall McLuhan

Instead, MacFarlane describes the recordings with poetic acuity, and then presses his own metaphorical interpretations upon the material. Obviously, I am still thinking all of this through, so any ideas or criticisms are welcome!


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Posted in Uncategorized 3 Comments. Have you thought about the history of music sampling? I think this could play well into your ideas about history and dis continuity and temporal interaction.

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And how music sampling from the time of the Beatles versus now, the digitization of this musical element, may have changed composition. Anyways, I am not sure if this plays into your focus on American Idiot, but I wanted to share my thoughts! Also, any plans to look at the musical?! Angie, those are some awesome suggestions! Thanks for your comment! What about it is so indicative of a particular aspect of contemporary music you want to look at? Also, I think the cold gaze of the media archaeologist comes into inscription…in this case, how was the music recorded?

Beatles, Mustangs, and a Boxer

Jonathan Sterne wrote a book called MP3: The Meaning of a Format which is a kind of media studies look at a particular format. I can see that easily taking up 12 pages. You are commenting using your WordPress. You are commenting using your Google account.

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  • My library Books on Google Play. Thomas MacFarlane.

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