I think that doing so would be an interesting way to work with the Tetrad as well, which is concerned with how the past, present, and future, interact.
Topic: Criticism and interpretation
I am left wondering, as I have been wondering all semester, how we can actually interpret media artifacts in an Ernst-like manner: with a cold, objective eye; or how can we analyze like McLuhan, without attention to the message itself. And also, as an extension to that, what is the point of such a means of interpretation?
Instead, MacFarlane describes the recordings with poetic acuity, and then presses his own metaphorical interpretations upon the material. Obviously, I am still thinking all of this through, so any ideas or criticisms are welcome!
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Posted in Uncategorized 3 Comments. Have you thought about the history of music sampling? I think this could play well into your ideas about history and dis continuity and temporal interaction.
And how music sampling from the time of the Beatles versus now, the digitization of this musical element, may have changed composition. Anyways, I am not sure if this plays into your focus on American Idiot, but I wanted to share my thoughts! Also, any plans to look at the musical?! Angie, those are some awesome suggestions! Thanks for your comment! What about it is so indicative of a particular aspect of contemporary music you want to look at? Also, I think the cold gaze of the media archaeologist comes into inscription…in this case, how was the music recorded?
Beatles, Mustangs, and a Boxer
Jonathan Sterne wrote a book called MP3: The Meaning of a Format which is a kind of media studies look at a particular format. I can see that easily taking up 12 pages. You are commenting using your WordPress. You are commenting using your Google account.
The Beatles and McLuhan : Thomas MacFarlane :
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